By Jillian Steinhauer Tamara de Lempicka’s first major U.S. survey invokes her as a trailblazing techno-feminist who borrowed freely from art history. But it also buries her erratic second act.

A drawing of a small wooden house found next to a river. Rocks are visible in the middle of the river. A boat with two people is pulled up on the shore near the house. Animals are grazing on the river ...

Last entry is one hour before closing. The cafe closes 30 minutes before closing. Car park is locked at 4pm.

Urban art not only changes the image of the city. The lettering, tags and murals are always also an expression of the current zeitgeist. People have been spraying and tagging in Berlin since the 70s.

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